Sunday, September 22, 2013

Northwest Quilting Expo: More Favorites

Wood Dragon Hexie Quilt, Gail Weiss
Low Tide, Helene Knott
Into the Distance, Lynda Christiansen
Flight Path, Terry Knott - congratulations, Terry!!
Misty Moonlight, Mary Arnold
It's Been a Wild Ride, Margie Smith
Ms. McDonald and the Old Fart's Farm, Bonnie Keller and Lynn Czaban 
Alaska, Pat Busby
Red Star, Gerrie Thompson
Blue Draft, Jodi Davila
Turtle Bay, Claudia Pfeil

aka Jack-in-the-pulpit, Cheryle Jolivette
Heading into Fall, Chris Brown
Woody and the Seashell, Janet Fogg 
Inside Hugo's Pocket, Mary Kay Price

Saturday, September 21, 2013

Northwest Quilting Expo: Vancouver Modern Steals the Show


Elegant quilts from the Vancouver Modern Quilt Guild highlighted the Northwest Quilting Expo this weekend at the Portland Metropolitan Exposition Center. These beautiful modern quilts were simply exquisite, and offered an excellent sampling of an aesthetic that's taken the quilt world by storm. 

Hexie Hive, Paula Bohan, North Vancouver BC
Oceanic Supernova, Felicity Ronaghan, Vancouver BC
Stacked Blankets, Niki Storr, Vancouver BC
Flowers for Cynthia, Janet Archibald, New Westminster BC
Broken Herringbone, Jo-Ann Platt, Vancouver BC
Shiraz & Chartreuse, Jo-Ann Platt, Vancouver BC
Blackbird Fly, Krista Hennebury, North Vancouver BC
Scrappy Lone Stars, Terry Aske, New Westminster BC
Rainbow Girl, Holly Broadland, Vancouver BC
VMQG Group Quilt, quilted by Terry Aske
Scan Me, Krista Hennebury, North Vancouver BC
Zipper Quilt in Neutrals, Heather Campbell, Vancouver BC
Autoquiltography, Stacey Murton, Delta BC
There was plenty of eye candy throughout the show, and all types of quilts. To me, these modern quilts really stood out as a group. Well done, VMQG!!

Quiltmania is Here!


Quiltmania is here, and they did a wonderful job with the article about my house in their "Quilts and Enchanting Homes" feature. I enjoyed seeing the pictures and recalling how much fun we had when they visited my home. The feature is six pages in the September/October 2013 issue, and here's a sneak peak of the opening spread.


Mom was excited to know her needlepoint Tumbling Blocks pillow made it in to one of the shots. I was happy to see a couple of the quilts I've made, including "Wild-Eyed Susans" in the article.


In some ways, seeing those quilts in the magazine made me more proud than the quilts I'd collected, and what an honor as a novice quiltmaker. Thank you, Quiltmania!

great vintage blocks from Susan Beal


Susan Beal was at last week's Portland Modern Quilt Guild meeting, and she had a stack of blocks for me. Totally awesome! They are all inscribed with names, which appear to be signatures rather than one hand, and that's exciting! Fabric looks like it could be 30s or 40s, but it could also be a bit later. Love the colors, and some of the names are wonderful. My favorite is Hortense Wiggs. Love!


Thank you, Susan, for the very cool gift. I can see sewing the blocks together one day, but I've got to work on my sewing skills first. If the blocks are lined up well, there will be a curious play of negative space and secondary pattern. Mint condition, too. Good eye, my friend!

Friday, September 20, 2013

old things at show and tell


Last night I stopped by the Portland Modern Quilt Guild meeting and brought two very old things to show and tell. I thought I'd repost them here so attendees could find them, and there's more information and pictures if you follow the blog.



The first was the indigo resist quilt, with fabrics made in the third quarter of the 18th century, possibly used as bed hangings before becoming a quilt. Rare as could be, and the seller originally found it at an auction for one dollar!! (omg)


My friend Dawn White of First Light Designs helped hold up the quilts. Dawn is an absolute whiz with the sewing machine, and an esteemed teacher, and recently completed an impeccable master bath remodel. Her blog can be found here.


The other thing I brought was the recently acquired c. 1820s candlewick counterpane, and it was fun to see the jaws drop when we held it up. Even though it's technically not a quilt, it is something quilters could appreciate. Generally speaking, there are a lot of new, young quilters in the Portland Modern Quilt Guild. Offering small lessons in quilt history and sharing things they never imagined, feels like passing the baton of quilt history to a whole new generation.


Great to see friends- I was sorry I had to go after show and tell, but happy to share these two very special objects. And speaking of special, Susan Beal was at the meeting and she gave me a stack of wonderful signature blocks she found in her travels. Thank you, Susan!! Will share more about the blocks in my next blog post.

Thursday, September 19, 2013

candlewick counterpane, c. 1825


The eagle turns its head toward the olive branches in times of peace, and toward the arrows in times of war. This spectacular whitework counterpane is done with candlewicking, which looks a bit like chenille. Found it in Massachusetts, this piece is thought to be from the 1800s, and the 1820s would've been a good time to see the eagle facing the olive branch.

At first, it looks like chenille, but it's certainly something other than that. When the piece was damp after washing, it was a little easier to see the separation between the stitches showing on the top. When dry, they appear a little fluffier. On the back, there are patches of directional backstitches, which form the designs.

It cleaned up well, but there are still a couple stubborn spots to go. Getting them out will be a gradual process. When the textile is this old, you have to work carefully. You can't just pour Chlorox on it. When I'm done cleaning, there will be a little conservation to do- some stabilization, some repairs, nothing drastic. Even in its current condition, I just marvel at it- a truly remarkable example.

coming (not so) soon

detail, Oak Leaf Variant, c. 1860, Kentucky
all photos courtesy of Shelly Zegart
A familiar old quilt will be coming to my collection, but not as soon as I originally thought. This wonderful, folky oak leaf variant was made around 1860 by Mrs. M.E. Poyner of Paducah, Kentucky- also home of the American Quilter's Society (AQS) and the National Quilt Museum. It appears in Kentucky Quilts, 1800-1900 on pages 38 and 39. It is also on the Quilt Index.


I purchased the quilt recently from Shelly Zegart, and was happily surprised to learn it was part of a traveling exhibition called "Homefront & Battlefield: Quilts & Contect in the Civil War" presented by the American Textile History Museum of Lowell, Massachusetts. The exhibition debuted in Lowell in 2012, and will travel to the New York Historical Society, the Shelburne Museum, and the Nebraska State Historical Society. Of course, I agreed to continue the loan as planned, and the quilt will be touring until June, 2015. I'll have to go visit it, and you can, too.


But wait, there's more! The exhibition is accompanied by a catalogue, authored by Madelyn Shaw and Lynne Basett. It's available through the American Textile History Museum shop- click here. A second quilt is coming soon from Shelly, and it is equally sensational, but in a whole different way. It's supposed to arrive tomorrow, so stay tuned...